"A Workout Wasn't Over Until there was Blood on the Floor"

Adriano Emperado

Open-Door Policy

Kajukenbo Grandmaster Emil Bautista has Spent a Lifetime Giving Back to his Students. 


 By Betty Tavelero

“Going home with bruises, aches and pains is a small price to pay to learn the art of kajukenbo the way it was meant to be.”

“I'd do anything for him, all of us would, he's just that kind of man.”

“Not every road is a straight one. Sometimes there are detours on the road to fulfilling your dreams. We still get there, we just have to approach it from another avenue. Never give up. There's more than one way to get where you want to go."

Words like this don't come easily for kajukenbo grandmaster Emil Bautista. His dream of going to college and becoming a physical education teacher looked as though it had ended, almost before it began when he found himself enlisted in the Army with a wife and child to support. He didn't give up on the dream; he simply approached it from a different avenue.

The detour happened to be through a martial art school. And the avenue wasn't really so different after all. The school, run by the late kajukenbo pioneer instructor Aleju Reyes, was located on Travis Air Force Base in Fairfield, Calif. 

“Back in 1961, just after I got out of the Army, I worked for a vending machine company and through them I had base privileges,” Bautista recalled. “I'd walk by the base gym every week and watch them train in one of the wrestling rooms. It looked interesting and so I started taking classes there. I trained for a little under a year and then the company lost its bid for the contract. That was the end of my training.”

Or so he thought. Less than six months later, he came across the Tony Ramos kajukenbo school in Fairfield and began training again, not realizing until weeks later that it too, was a kajukenbo school. 

“Tony Ramos taught me kajukenbo,” Bautista explains. “He gave me back my dream of being a physical education teacher, maybe not in the strictest sense of the word, but what he gave me has been the basis for my entire adult life. In my heart, I know that if it weren't for Tony Ramos, I wouldn't be here teaching, I wouldn't be where I am today.”

Paying Their Respects

Today, Bautista is the owner of the longest-running martial art school in Vallejo, Calif., and one of the longest-running kajukenbo schools in the world. Bautista has conducted classes in the Benicia Road facility four nights a week since 1968 and if the recent celebration of the school's 35th anniversary is any indication, still looks to be going strong. To commemorate the important milestone, over 250 past and present students, parents, friends and family recently gathered for a two‑day affair, which included a day‑long seminar and picnic.

“So many people came to pay their respects to the school and to grandmaster Bautista,” declared sifu Clarence Isadore, a fifth-degree black belt instructor for the school's teen class. “The turnout was even better than we expected. It shows what a really great reputation the school has had all these years.”

Bautista's school has also had the distinction of being the Northern California Headquarters for the Kajukenbo Self‑ Defense Institute, Inc., an honor conferred upon it back in 1993 by the organization's founder and one of the style’s original creators, sijo Adriano Emperado.

After 35 years of teaching students, he's seeing the second- and third-generation of some families now training at the school. Bautista can also lay claim to teaching a Grammy Award winner, two pro football players, a three‑time NFL Pro Bowl linebacker, and a Super Bowl ring recipient. But he says he's most proud of those students who train hard every day, especially those who make it earn their black belts.

Coming Back for More

The school has a good track record of those too. In many cases, students who reach black belt tend to fade away, some opening schools of their own, some eventually losing interest, others simply moving on to new things. That has not been the case with the Bautista’s kajukenbo school. There are currently 20 black belts training with Bautista on a regular basis. Most are his own, but some are visitors from others schools, either seeking advanced knowledge or just looking for a friendly place to train while away from home. 

"Grandmaster's love of teaching and training in the martial arts has been a great source of inspiration to me,” notes black belt Nick Melas. For the past 11 years the fifth degree has traveled twice a week from his home in San Francisco to the Vallejo school. What should be an hour's drive one way, can sometimes take two or more because of the high volume of commuter traffic. But Melas wouldn't have it any other way.

“His dedication by example allowed me to always keep the enthusiasm in training throughout the years,” he adds. All of his black belts seem to feel the same way. Professor Mitch Powell, one of two professors under Bautista says, "I still train at the school because I like being around grandmaster Bautista. He's a great martial artist, a very humble man, a father figure, and a true friend. What more can you ask for?” 

Bautista follows the “three A’s” philosophy in his teaching “Attendance, Attitude and Ability,” he explains. “You need all three of these to succeed in our school. You can have the attendance and the ability but without the right attitude, you just won't survive. I have a rule, ‘You show me, and I'll show you.’ Show me you are willing to work hard and that you really want to learn and I'll teach you everything I can.” 

And he doesn't let them stop there. He's been known to encourage his black belts to go out and seek other schools and styles. He believes in the theory that knowledge is good and more knowledge is even better. 

“As long as they remember that their home is here and that kajukenbo is their heart,” the grandmaster notes.

Bautista, who welcomes students from other schools, has a saying, “As long as these doors remain open, we'll be here for anyone who wants to train.” 

“Grandmaster just enjoys teaching. He is the most humble man that you will ever run across,” claims Albert Saddler, a student at the Vallejo school for over ten years. The fifth-degree black belt is the grandson of George Seronio, one of Joe Emperado's original students in Hawaii.

“If you don't know grandmaster, you wouldn't know what to call him. He never wears anything to indicate that he is a grandmaster. We students can only wish to be as humble as him.

A Step Beyond

Bautista believes that his instructors have taken his teachings and gone a step further.

“What sifu Clarence Isadore and sibok Shannon Harris have put together for the teen and kids classes is a program that's not just about martial skills, but about the history of the arts and especially about the rich history of kajukenbo,” Bautista says with pride.

“There are classes where the school's philosophy and protocol are emphasized, where they learn about the respect we pay to the teachers and students who have come before us. And just as important, they learn that they have a say in the future of kajukenbo. If you can get them interested, get them involved, then you have a student for life.”

The school emphasizes a self-defense curriculum “In the adult class we teach techniques that will save your life out in the street,” Bautista explains, noting many students are members of law enforcement.

“I want them to be prepared for any circumstance. Every night we train as realistically as possible. Going home with bruises, aches and pains is a small price to pay to learn the art of kajukenbo the way it was meant to be. We all feel that way, especially knowing that these men and women will be prepared, should the need ever arise, to defend us with their lives.”

The Good Fight

The bartender job, in an establishment well known for its nightly brawls, earned him a reputation as an awesome fighter, although he swears he never did half the things with which he was credited.

“Rumor was, one night there was a fight and I leaped over the bar and knocked two guys out cold before I hit the floor.” He swears that story was mostly fabrication, but there were plenty of nights when “we did have some good old, knock‑down, drag‑out fights.” He credits the training he received at the Ramos school for helping him deal with those challenges. Being the third black belt under Ramos certainly didn't hurt. The men he trained with back then was a tough group, and included Cal Shin, Albert Saddler Jr., Gary Kraus, and Joe Clark. 

“Most of the guys were young and single at the time and working on Travis, while I was 27, worked two jobs and had a growing family to support,” Bautista remembers. “They seemed to have all the time in the world to practice. They got good, fast. I constantly compared myself to them and felt I wasn't as good as they were. It certainly felt that way when they hit me.

But he also came away from that time with a valuable lesson. 

 

“Don't compare yourself or your progress with anyone else,” he maintains. “As long as you are better today than you were yesterday and you're better tomorrow than you were today, then you'll have done a good day’s work.”

Bautista loves empty-hand work, but his real martial arts devotion is to weapons training, especially anything involving knives. His collection of over 200 knives runs the gamut from the Filipino balisong (butterfly) knives to karambit's (a curved blade with vicious hook built into one end of the handle). 

“It must be my Filipino heritage. I've been fascinated with knives ever since I was a kid,” he admits. “Most Filipino's will admit to carrying at least one knife on them. More likely, they have as many as four or five.” He sees them as an extension of his “empty-hand system” and always uses the real thing for demonstrations. 

Getting Carried Away?

Bautista has been known to get a little carried away during some of those demos. 

“Our school has been doing a demo at the County Fair for the past 32 years,” longtime student, sigung Joel Purvis recalls with a smile. “For years he's had trouble finding uke's to dummy for him. It's a running joke that if you dummy for him, you're going to bleed before it's all over.” But Purvis wouldn't change a thing. 

“He certainly doesn't mean to hurt anyone, it's just that the adrenaline starts pumping and he gets this look in his eye, and the next thing you know...” But Purvis quickly adds, “I'd do anything for him, all of us would, he's just that kind of man. And the school has always been like a family. They don't have it in them to run it like a business. I've patterned my school after his. To me it's a matter of doing what you love and he's just very, very good at it."

With eight children, 14 grandchildren and two great-grandchildren, Bautista says he isn't really disappointed that only two sons, Joseph and Steven, have earned their black belts.

“Most of my children have trained at one time or another, but each of my kids has their own thing to do,” he says. “After all, I went after my dream, how can I fault them for going after theirs?” Having sons and daughters scattered across the country and around the world has provided Bautista with a reason to travel more. Whichever child he visits in whatever city he’s in, Bautista has a list of nearby kajukenbo schools with intentions of visiting, training and making new friends.

“It's amazing to see just how widespread kajukenbo is. There are hundreds of thousands of students in every corner of the world training in kajukenbo,” the grandmaster notes. “To have come this far from such humble beginnings, you have to have a great deal of respect for Adriano Emperado.”

But there’s more. He sees the kajukenbo legacy as something he can pass on to his sons and students. “Whatever I do, it's for the art. As a way to say thank you to sijo Emperado, ahgung Ramos and people like Ed Parker who showed me the way. He likes to tell the story about a time years ago when he competed at one of the late Ed Parker's Internationals in Long Beach, Calif.

“I'd lent my black belt, my first black belt, you understand, to some kid I didn't even know who needed one to compete in his division,” Bautista recalls. “When it was over, I couldn't find the guy and so I figured that was the last I'd ever see of my belt. Later in the day, I chanced to run into Mr. Parker and I must've looked like I just lost my best friend, because he asked me what was wrong. I told him as how I'd lent my belt to someone and didn't get it back.

So Ed Parker takes over the microphone and stops the whole tournament, I mean, stops everything. He announced to everyone that whoever had borrowed this young man’s black belt would have to return it before he would allow the matches to start again. And he meant it.

But damned if it didn't work. The kid comes up and hands me my belt, says he sorry he couldn't find me and Mr. Parker announces they can go ahead with the divisions. It was incredible, what he did for me that day, and I wasn't really anybody to him, just another black belt among the hundreds there. But his kindness has stuck with me my whole life. It's people like this who have made the arts what they are today.”

For a man of few words, Bautista still manages to get his point across. “If I have a personal philosophy, I guess it would be to ‘live life to the fullest, to excel in whatever it is that you do, to prove yourself to be a loyal and trustworthy friend and student and to always search for the spiritual meaning of the arts in your life.’ Martial arts shouldn’t interfere with your life, they should improve it.” 

Emil Bautista & Opponents
Grandmaster Bautista Arm Lock & Weapon Strike.
Photo Courtesy Knownows


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