The school emphasizes a self-defense curriculum “In the adult class we teach techniques that will save your life out in the street,” Bautista explains, noting many students are members of law enforcement.
“I want them to be prepared for any circumstance. Every night we train as realistically as possible. Going home with bruises, aches and pains is a small price to pay to learn the art of kajukenbo the way it was meant to be. We all feel that way, especially knowing that these men and women will be prepared, should the need ever arise, to defend us with their lives.”
The Good FightThe bartender job, in an establishment well known for its nightly brawls, earned him a reputation as an awesome fighter, although he swears he never did half the things with which he was credited.
“Rumor was, one night there was a fight and I leaped over the bar and knocked two guys out cold before I hit the floor.” He swears that story was mostly fabrication, but there were plenty of nights when “we did have some good old, knock‑down, drag‑out fights.” He credits the training he received at the Ramos school for helping him deal with those challenges. Being the third black belt under Ramos certainly didn't hurt. The men he trained with back then was a tough group, and included Cal Shin, Albert Saddler Jr., Gary Kraus, and Joe Clark.
“Most of the guys were young and single at the time and working on Travis, while I was 27, worked two jobs and had a growing family to support,” Bautista remembers. “They seemed to have all the time in the world to practice. They got good, fast. I constantly compared myself to them and felt I wasn't as good as they were. It certainly felt that way when they hit me.
But he also came away from that time with a valuable lesson.
“Don't compare yourself or your progress with anyone else,” he maintains. “As long as you are better today than you were yesterday and you're better tomorrow than you were today, then you'll have done a good day’s work.”
Bautista loves empty-hand work, but his real martial arts devotion is to weapons training, especially anything involving knives. His collection of over 200 knives runs the gamut from the Filipino balisong (butterfly) knives to karambit's (a curved blade with vicious hook built into one end of the handle).
“It must be my Filipino heritage. I've been fascinated with knives ever since I was a kid,” he admits. “Most Filipino's will admit to carrying at least one knife on them. More likely, they have as many as four or five.” He sees them as an extension of his “empty-hand system” and always uses the real thing for demonstrations.
Getting Carried Away?Bautista has been known to get a little carried away during some of those demos.
“Our school has been doing a demo at the County Fair for the past 32 years,” longtime student, sigung Joel Purvis recalls with a smile. “For years he's had trouble finding uke's to dummy for him. It's a running joke that if you dummy for him, you're going to bleed before it's all over.” But Purvis wouldn't change a thing.
“He certainly doesn't mean to hurt anyone, it's just that the adrenaline starts pumping and he gets this look in his eye, and the next thing you know...” But Purvis quickly adds, “I'd do anything for him, all of us would, he's just that kind of man. And the school has always been like a family. They don't have it in them to run it like a business. I've patterned my school after his. To me it's a matter of doing what you love and he's just very, very good at it."
With eight children, 14 grandchildren and two great-grandchildren, Bautista says he isn't really disappointed that only two sons, Joseph and Steven, have earned their black belts.
“Most of my children have trained at one time or another, but each of my kids has their own thing to do,” he says. “After all, I went after my dream, how can I fault them for going after theirs?” Having sons and daughters scattered across the country and around the world has provided Bautista with a reason to travel more. Whichever child he visits in whatever city he’s in, Bautista has a list of nearby kajukenbo schools with intentions of visiting, training and making new friends.
“It's amazing to see just how widespread kajukenbo is. There are hundreds of thousands of students in every corner of the world training in kajukenbo,” the grandmaster notes. “To have come this far from such humble beginnings, you have to have a great deal of respect for Adriano Emperado.”
But there’s more. He sees the kajukenbo legacy as something he can pass on to his sons and students. “Whatever I do, it's for the art. As a way to say thank you to sijo Emperado, ahgung Ramos and people like Ed Parker who showed me the way. He likes to tell the story about a time years ago when he competed at one of the late Ed Parker's Internationals in Long Beach, Calif.
“I'd lent my black belt, my first black belt, you understand, to some kid I didn't even know who needed one to compete in his division,” Bautista recalls. “When it was over, I couldn't find the guy and so I figured that was the last I'd ever see of my belt. Later in the day, I chanced to run into Mr. Parker and I must've looked like I just lost my best friend, because he asked me what was wrong. I told him as how I'd lent my belt to someone and didn't get it back.
So Ed Parker takes over the microphone and stops the whole tournament, I mean, stops everything. He announced to everyone that whoever had borrowed this young man’s black belt would have to return it before he would allow the matches to start again. And he meant it.
But damned if it didn't work. The kid comes up and hands me my belt, says he sorry he couldn't find me and Mr. Parker announces they can go ahead with the divisions. It was incredible, what he did for me that day, and I wasn't really anybody to him, just another black belt among the hundreds there. But his kindness has stuck with me my whole life. It's people like this who have made the arts what they are today.”
For a man of few words, Bautista still manages to get his point across. “If I have a personal philosophy, I guess it would be to ‘live life to the fullest, to excel in whatever it is that you do, to prove yourself to be a loyal and trustworthy friend and student and to always search for the spiritual meaning of the arts in your life.’ Martial arts shouldn’t interfere with your life, they should improve it.”
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